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Showing posts with label Drum Heads. Show all posts
Showing posts with label Drum Heads. Show all posts

Saturday, August 29, 2026

Tommy Lee Dr. Feelgood Drum Gear: Kit, Heads & His 1989 Sound


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Tommy Lee large drum kit from the Dr. Feelgood era

 

 

 

 

What gear did Tommy Lee use to record Dr. Feelgood?

Lee’s drum sound on the album was big, polished 80s rock: large kits, strong snare, powerful toms, and production that made everything larger than life.

DW Collectors Series 4-Piece Shell Pack

Best for: High-end, powerful rock kit sound with projection and clarity. Best modern equivalent: A high-end DW kit for players who want the powerful, punchy rock sound associated with Tommy Lee’s later-era setups.

Typical price range: $3,500–$5,000+.

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Who This Guide Is For

  • Drummers chasing the big, polished hard-rock drum sound of Dr. Feelgood

Lee and the Album

Dr. Feelgood (1989) was Mötley Crüe’s commercial peak. Tommy Lee’s drumming is tight, powerful, and heavily produced in late-80s mainstream rock style. For recording and gear context see the Home Studio Setup Guide and the Used Music Gear Buying Guide.

Remo Emperor Coated Drumheads

Best for: Durable, controlled rock tones that hold up under hard playing

Typical price range: $50–$80.

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Zildjian A Custom 21" Ride

Best for: Clear, musical ride sound for big rock grooves

Typical price range: $350–$420.

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Also see the Guitar Gear Guide and Recommended Gear.

Frequently Asked Questions

Was the kit heavily triggered?
Late-80s commercial rock often combined acoustic drums with sample reinforcement.

Do I need a huge kit?
A solid rock kit with a strong snare and well-tuned toms covers most musical needs.

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Saturday, August 1, 2026

Drum Head Replacement Guide: When to Replace, What to Buy, and How to Do It

Drummer replacing a drum head on a snare or tom in a well-lit studio or practice space

 

 

 

Quick heads-up: This post contains affiliate links to gear sites like Amazon, Reverb, and our other partners. If you buy something through these links, I get a small piece of the pie to help keep this blog running, but it doesn't cost you a penny extra!

 

 

 

Old drumheads do not just sound dead. They make the kit harder to tune, less responsive to dynamics, and more difficult to record or mic cleanly. Fresh heads tune faster, hold pitch longer, and react to playing in ways worn heads cannot. Most drummers know their heads are due long before they actually change them because heads feel like an optional expense until the difference becomes obvious.

This guide covers when to replace them, which types suit which styles, and how to install them so the upgrade actually improves the kit.

Who This Guide Is For

  • Drummers whose kits have become hard to tune or sound lifeless
  • Players unsure whether to choose single-ply, coated, or two-ply heads
  • Anyone who has never replaced heads correctly and wants a clear process

Who This Is Not For

  • Players already on a regular head-replacement schedule with preferred models
  • Those looking for deep tuning theory or advanced muffling techniques

When to Replace Drumheads

Batter heads (the ones you hit) show wear first. Pitting, dents, and worn spots in the playing area mean the head has already lost even resonance. No amount of tuning fully restores a heavily pitted center.

The tuning test is often more reliable than the visual one. A fresh head reaches an even pitch around the drum relatively easily and holds it through a session. A worn head fights you and drifts faster. If you are retuning between every song, the heads are probably overdue.

Resonant heads (bottom heads) last much longer because they take no direct impact. On a regularly played kit, snare and tom batters often need changing every 3–6 months. Bass drum batters may last 6–12 months. Resonants rarely need replacement unless damaged.

Drumhead Types — What Each One Does

Single-Ply Clear

Most open, resonant tone with the most overtones and longest sustain. Sensitive to dynamics. Wear faster. Best for jazz, lighter playing, and situations where natural drum resonance is wanted.

Common choices: Remo Ambassador Clear, Evans G1 Clear.

Single-Ply Coated

Slightly warmer and more focused than clear, with better brush response. The coating adds a touch of control. The most common recommendation for snare batters across many styles.

Common choices: Remo Ambassador Coated, Evans G1 Coated. For more durability and damping, Remo Emperor Coated (two-ply) is a step up.

Remo Ambassador Coated

Best for: Snare batters and general-purpose use where warmth, brush response, and open tone matter

The classic coated single-ply. Works across most styles and is one of the safest default choices for a snare.

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Two-Ply Heads

Two layers laminated together. More durable, more attack, less sustain. Useful in rock and louder styles where long tom sustain muddies the mix or live bleed is a problem.

Common choices: Evans G2, Remo Emperor.

Evans G2 

Best for: Rock, contemporary, and louder playing that needs focused attack and controlled sustain

Two-ply construction stands up to heavier hitting and keeps toms tighter in the mix.

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Bass Drum Heads

Bass batters need to handle foot-pedal impact. Evans EMAD and Remo Powerstroke 3 are the most common recommendations. Both deliver focused attack with controlled sustain and built-in or easy damping options so you are not forced to over-muffle the drum.

How to Install a Drumhead Correctly

  1. Remove all tension rods and the old head.
  2. Clean the bearing edge thoroughly. Debris or damage here prevents even seating and tuning.
  3. Place the new head and hoop. Finger-tighten all rods evenly before using a key. This keeps the hoop level.
  4. Tighten in a star pattern (opposite rods) in small increments (about half turns). This seats the head evenly.
  5. Press firmly in the center of the head with your palm to seat it, then retune in the star pattern.
  6. New heads usually need seating and retuning two or three times before they fully stabilize.

Rushing the process or tightening in a circle instead of a star pattern is the main cause of new heads that will not tune evenly.

Frequently Asked Questions

How often should I replace drumheads?
Batter heads on a regularly played kit: roughly every 3–6 months for snare and toms, longer for bass. Replace sooner if pitting is obvious or tuning becomes unstable.

Should I change resonant heads at the same time?
Not necessarily. Resonants last much longer. Change them when damaged or when you want a full tonal refresh.

Single-ply or two-ply for toms?
Single-ply for more open, resonant tones (jazz, lighter styles). Two-ply for more durability and controlled sustain (rock and louder music).

What is the safest snare batter for most players?
A coated single-ply such as Remo Ambassador Coated or Evans G1 Coated.

Why won’t my new heads tune evenly?
Usually uneven seating. Clean the bearing edge, finger-tighten first, use a star pattern, seat the head with palm pressure, and retune.

Final Recommendation

Replace batter heads when they show pitting or become hard to keep in tune. Choose single-ply coated for versatile snare work, single-ply clear for maximum openness, and two-ply when you need durability and control. Install carefully with a clean bearing edge and star-pattern tuning so the new heads actually perform.

Fresh heads are one of the highest-impact, lowest-cost upgrades you can make to any kit.

For more drumming guidance, see:

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